Subjetividad y creación musical

Abstract

This paper is part of a broader investigation into the creative activity of Mexican musicians and the subjective (psychosocial) relevance that this activity has. What is presented here focuses on the distinction made by Roland Barthes between a first listening and a second listening, a distinction considered of interest to conceive the sound experience, which runs parallel to the conformation of the human world. In the same way, the castoridean philosophy and the recovery that it brings about from freudian psychoanalysis, allow to highlight the way in which the initial incontinence of the human psyche (as a source of representations) is combined with the sounds of the world, to settle on the subjectivation of the individual, as well as the way in which hearing is fixed to sound codes that, when challenged, make possible the symbolic opening of the orderings of the social and individual being-for-itself.