Creación artística y movimientos sociales: redefinir la relación entre política y estética

Authors

  • Alejandro Cerda García
  • Valeria Falleti
  • Jorge Armando Gómez

Keywords:

artistic creation, social movements, politics, theater, communitarian murals

Abstract

The praxis of social movements has been traditionally related to aesthetic creations, either in the visual sphere, in music composition or in oral communication. Painting, singing or talking about the problems of a particular society using aesthetic have been for certain groups a way of denouncing, attracting followers or communicate political projects.
These aesthetic creations, that usually break or redefine official cultural norms, are always polysemic: do they express issues against which social movements act or do they help to build new realities by proposing original, transgressive and performative aesthetic readings? In this article, by analyzing different aesthetic creations by social movements and organizations in Mexico, we argue that these creations are the synthesis of elements from different cultural environments while they go beyond political enunciation in order to redefine what is consider political and the way in which politics is done.

Author Biographies

Alejandro Cerda García

Profesor-investigador del Departamento de Educación y Comunicación, UAM-Xochimilco

Valeria Falleti

Profesora-investigadora del Departamento de Educación y Comunicación, UAM-Xochimilco

Jorge Armando Gómez

Doctorante en Desarrollo Rural, UAM-Xochimilco

Published

2017-12-01

How to Cite

Cerda García, A., Falleti, V., & Gómez, J. A. (2017). Creación artística y movimientos sociales: redefinir la relación entre política y estética. TRAMAS. Subjetividad Y Procesos Sociales, 2(48), 141–179. Retrieved from https://tramas.xoc.uam.mx/index.php/tramas/article/view/824