Subjetivación política del Cuerpo sin Órganos en el videoclip de rock alternativo

Abstract

This article describes the relationship between art as a space inhabited by uncertainty and rarefied sense, and the construction of politics in audiovisual media, the music video of alternative rock. The relationship between artistic creation, policy of representation and the music video are operated by the big discourses of power that produce subjectivities that are based in the social orthopedic of certain social institutions. The next concepts image-motion and image-time, and the metaphor about the Body without Organs are going to be applied in the analysis of group music videos.