Avatares posmodernistas de La flor de Coleridge en tres textos argentinos (Borges, Cortazar, Piglia)

Abstract

The repulsion of a work of art is a traveling that bores through poetic visionary pulses of Borges. Joyce and Cortazar in a hazardous way that constantly invites to an arrow pass. Piglia as Nietzche doubted with unsure steps before the emptiness that gives us light: "... and who is not an eagle should not have his nest among abyssee". The author’s death is in its self result of a strong impact of creating images, made by the poetics of modern living authors that are dead in the last man's tragedy. Does the return of the repressed have as a consequence the establishing of totalitarism that characterizes military dictatorships? What and which are these strange and unintelligible relations that support themselves between psychic resistance that saves the pain and Faust dynamics of the growth of social repression? The literature has a cascade of metaphors that are running through the formless spaces of the fingers of a hand.